Additional order info. K educators : This link is for individuals purchasing with credit cards or PayPal only. For courses in Music Theory a two-year sequence including sight singing and ear training as well as separate Sight Singing courses. Over fifty years ago, Robert W. Ottman set out to write a book that draws examples from the literature as opposed to being composed by the author.
He proposed that students should work with "real" music as they study musical forms. The result was Music for Sight Singing. Not only is real music more enjoyable and interesting to sing than dry examples, but genuine repertoire naturally introduces a host of important musical considerations beyond pitch and rhythm including dynamics, accents, articulations, slurs, repeat signs, and tempo markings. Several generations of teachers have also agreed that Ottman's ability to order his examples from the simple to the complex is another key to the book's long term success.
Nancy Rogers, the book's new author, has added new vitality to the book, introducing exercises to develop creativity as well as to build basic skills. This product is part of the following series. Click on a series title to see the full list of products in the series. Download Sample Chapter. This material is protected under all copyright laws, as they currently exist. No portion of this material may be reproduced, in any form or by any means, without permission in writing from the publisher.
Section 3. Pearson offers affordable and accessible purchase options to meet the needs of your students. Connect with us to learn more. With research interests including music cognition and its pedagogical implications, Dr. Rogers has presented papers at national and international conferences, including meetings of the Society for Music Theory, the Society for Music Perception and Cognition, the International Conference on Music Perception and Cognition, and the Conference on Interdisciplinary Musicology.
She was a keynote speaker at the Musical Ear conference held at Indiana University. Professor Rogers received her Ph. Spiral Bound. We're sorry! We don't recognize your username or password. Please try again. The work is protected by local and international copyright laws and is provided solely for the use of instructors in teaching their courses and assessing student learning.
You have successfully signed out and will be required to sign back in should you need to download more resources. Out of print. Music for Sight Singing, 8th Edition.
Robert W. If You're an Educator Download instructor resources Additional order info. Description For courses in Music Theory a two-year sequence including sight singing and ear training as well as separate Sight Singing courses. Series This product is part of the following series. MyMusicLab Series.
New to This Edition. The quarter note as the beat unit. Beat-note values and larger only, 3 Section 2 R. The quarter note as the beat unit and its division. Dotted notes and tied notes, 4 Section 3 R. Two-part drills, 5 Section 4 R. Note values other than the quarter note as beat values, 7 Section 5 R. Major keys, treble clef, the quarter note as the beat unit. Key signatures with no more than three sharps or three flats, 13 Section 2. Bass clef, 16 Section 3. Other meter signatures, 19 Section 4.
Duets, 20 Section 5. Major keys, treble clef, intervals of the third, fourth, fifth, and octave from the tonic triad. The quarter note as the beat unit, 26 Section 2. Bass clef, 31 Section 3. The half note and the eighth note as beat units, 35 Section 5. Duets, 37 Section 6. Key signatures with five, six, and seven sharps or flats, 40 Section 7.
Rhythmic reading: The dotted quarter note as the beat unit. Single lines and two-part drills, 46 Section 2. Sight singing: major keys, treble clef; the dotted quarter note as the beat unit, 50 Section 3. Sight singing: Bass clef, 53 Section 4 R. Rhythmic reading: The dotted half note and the dotted eighth note as beat units, including two-part drills, 57 Section 5. Sight singing: The dotted half note and dotted eighth note as beat units, 59 Section 6.
Duets, 61 Section 7. Simple meters, 67 Section 2. Compound meters, 72 Section 3. Duets, 74 Section 4. Intervals of the third from the V triad; major keys; simple meters, 80 Section 2. Intervals of the third from the V triad; minor keys; simple meters, 82 Section 3. Used items may not include media like access codes or CDs. Fast shipping! Expedited orders take business days! Media mail may take up to 5 business days.
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